![]() ![]() The lack of political as well as technical infrastructure and need for cell phone technology were highlighted in field interviews providing the groundwork for the technological developments. As a direct result of our “Internet Infrastructure and ICTD” working group initiative, affiliates from Computer Science and Film and Media Studies also received a large NSF grant titled “VillageNet: Intelligent Wireless Networks for Rural Areas.” In this collaborative project, faculty and graduate students who had deep contextual/cultural knowledge worked side by side with the computer scientists to assure the remote network technology they were developing in Zambia was appropriate for the sociocultural context in which they were operating. National Science Foundation (NSF) funded project, Towards Automating Privacy Controls for Online Social Networks, and culminated in several publications (e.g., Nekrasov, Iland, Metzger Zhao, & Belding, 2017). For example, our “New Media and Trust” working group organized by computer scientists and communication scholars resulted in a U. We create opportunities and provide resources to support our affiliates from the earliest stages of project design, to the development of proposals for external funding, through the completion and publication of their research.ģIn order to encourage the establishment of interdisciplinary research teams, CITS provides space and financial resources for establishing topical working groups. 1 ResearchĢAt CITS we seek to inspire and support interdisciplinary research teams composed of nationally and internationally recognized scholars to study how societies and social groups are affected by information technologies and how social dynamics influence technological innovation and diffusion. Below we summarize some of the past and present work of the Center through selected examples of our faculty’s contributions to the Center’s research, education, and outreach efforts. ![]() To achieve our goals, CITS supports and catalyzes research, education, and outreach through interdisciplinary collaborations involving our vibrant network of more than 50 faculty research affiliates. The Center’s overarching goal is to discover and apply integrated knowledge from these diverse perspectives to understand and guide the development, use, and effects of information technologies in contemporary society. 1 Detailed information regarding CITS affiliates, research initiatives, lecture series, educational p (.)ġThe Center for Information Technology and Society (CITS) at the University of California Santa Barbara (UCSB) is a multidisciplinary center with affiliated faculty from 16 departments spanning the Social Sciences, Humanities, Education, and Engineering. ![]()
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![]() Now that you understand both the terms, let’s break down and spot the difference between the two. You can update your ETD at any given time using a powerful route planner and notify your customer or employees if any change is required. It ensures that the successful delivery of the product takes place to avoid any miscalculations by the driver or other issues with the delivery segment. When the package leaves the storage facility of your business till the time it’s handed over to the consignee, the time it takes to complete this action is called the estimated delivery time. It plays a vital role in the last-mile delivery and is calculated by the last-mile carriers. On the other hand, estimated departure time is the estimated time and date that an order will be delivered to the customer or its final destination. What Is Estimated Time of Delivery and Why Is it Important? You need to align your delivery process with the ETA promised to the customer and have robust technology in place for accurate calculation. With the attention span of customers and patience level decreasing, ETA helps to hook the audience to make the transaction and get an idea about their delivery arrival.īut if you miss out on your ETA, you might lose the customer for their future transaction. The importance of ETA is rising day by day in the delivery business because of the changing customer behavior and rise in competition in the industry. If you can include ETA while the potential prospect is making the purchase, it can help them complete the transaction and increase the conversion rate of your business because 50% of the customers transact with a business viewing the delivery conditions. You don’t want to consistently update the ETA for your customers and team for a poor experience, so calculate your delivery supply chain using the right tools and strategy. It’s the calculation of the packaging and delivery process, and it helps the customers get a brief idea of when they can expect their order to arrive.ĮTA can help you get a buffer time if something unfortunate happens in the packaging or delivery process that delays the shipment. What Is Estimated Time of Arrival and Why Is it Important?Įstimated time of arrival is the expected time and date the shipment can take to arrive at the destination from the day your customers place the order. Upper Route Planner Can Be Your Go-to Route Planning and Optimization Softwar. ![]() ![]() ![]() Click here for a map.īuy advance tickets to Cinematheque films here. Karan revealed in a recent interaction, I broke my dad’s TV when. Moecie by pewni, e najnowszy film Apichatponga Weerasethakula z Tild Swinton w roli gównej zabierze was w miejsca, w jakich jeszcze nie bylicie. From the extraordinary mind of Palme Dor winning director Apichatpong Weerasethakul. ![]() Learn more under the “ Face Coverings” section at cia.edu/covid.Īs a reminder, filmgoers can park for free in Lot 73 and in the Institute's annex lot, and should enter CIA via nearby Entrance C. One of his childhood idols, Suniel Shetty was getting beat up by goons in a film and young Karan decided, enough was enough. Masks are currently optional for moviegoers, but still encouraged. Special admission $12 members, CIA & CSU I.D. “The director’s abiding fascination with dreams, nature, time, solitude and of course memory flows like liquid through this lyrical enigma.” –Hollywood Reporter. distributor Neon, will never go to disc, on demand, or streaming services. Here’s another opportunity to see an essential art film that, according to its U.S. Sound has always played an essential part in Apichatpong’s poetics, writes Manu Yáñez Murillo for Film Comment, and Memoria highlights its aesthetic, physical, narrative, and conceptual dimensions. ![]() Swinton plays a Scottish woman in Medellin who embarks on a sensory, sonic journey into Colombia’s cities and jungles to trace the origin of a mysterious bang that interrupts her sleep one morning. Not only should Memoria be seen in a theater, but perhaps more than most films, it should also be heard in a theater. Tilda Swinton stars in the immersive, dreamy new feature by the Cannes Palme d’Or-winning Thai director of Uncle Boonmee Who Can Recall His Past Lives. ![]() ![]() ![]() “These media images are always accompanied by noise from surveillance footage, cellphone footage, dashcam footage,” he adds. ![]() “I needed a place to sit with Trayvon’s image outside the media noise.” “It is a space to grapple with those images in personal terms, as a person who feels threatened, as a person who feels afraid for my children,” says Leonardo, the father of a 13-year-old stepdaughter and 4-year-old daughter. Shaun Leonardo, Trayvon (2014-2017) Courtesy of the artist The artist says he began working on the drawings in The Breath of Empty Space in 2014, starting with a depiction of part of the face of Trayvon Martin, a Black 17-year-old who was shot to death in 2012 by a civilian “neighbourhood watch” patroller in a gated community. All of the art predated Floyd’s death, “but to see that people found solace and sought to look for meaning and intentionality in that work was touching,” he says. ![]() Leonardo says he was moved to see that the killing of George Floyd by the Minneapolis police in May prompted people who had viewed the show in Baltimore to start posting his works online. Instead, he says, he has been heartened by the debate that the show’s cancellation triggered about invoking trauma in works of art and about “who owns” initiatives like the cancelled exhibition. Leonardo says he does not particularly view the show’s rescheduling as vindication. “They were willing to invite the tension in, and create space for the critical dialogue around the work”, the artist explains. Responding to the cancellation, he says, curators at Mass MoCA and the Bronx museum who had already worked with Leonardo on other initiatives reached out to him. ![]() He pointed out then that he “was never given the opportunity to be included in outreach, and therefore, never had a moment to engage any community member regarding the show”. In his statement, which was widely disseminated, Leonardo challenged the Cleveland museum’s rationale that the exhibition could be harmful because the local community was not equipped to deal with his images of “lived experiences of pain and trauma”. In an interview, Leonardo said that Mass MoCA and the Bronx museum reached out to him about presenting the show at the height of the controversy in June, when he lamented the show’s derailed opening in a brief note to colleagues and supporters. It originated at the Maryland Institute College of Art (Mica) in Baltimore in January before the Cleveland museum added it to its exhibition schedule and then dropped it. The drawings in the show, culled by the independent curator John Chaich, explore the visual narrative of violence against Black men in the US, often at the hands of police, revealing how the cycle of news media images shape and blur perceptions and memories of those events. The museum’s executive director, Jill Snyder, publicly apologised to Leonardo, acknowledging that “we failed” the artist, and the controversy ultimately led her to resign after 23 years at the helm. The cancellation of the Cleveland exhibition, which originally was to open on June, was denounced as “institutional white fragility” and “censorship” by Leonardo, a Brooklyn-based multidisciplinary artist who is also known for highly charged performance works. The Massachusetts Museum of Contemporary Art (Mass MoCA) in North Adams announced today that Shaun Leonardo: The Breath of Empty Space would open on Wednesday and run through 22 December and then travel to the Bronx Museum of the Arts, where it will open on 20 January. Five months after the Museum of Contemporary Art (moCa) Cleveland cancelled an exhibition of Shaun Leonardo’s evocative drawings of Black victims of systemic injustice, two museums have stepped up to host the show. ![]() ![]() ![]() It also peaked at #20 on the Top Latin Albums. 1, this featured singles such as "5 Star", "Guerrero", "Sauce Boy Freestyle 4", among others. On July 6 of that same year, he released his first mixtape titled Sen2 Kbrn, Vol. and #162 at the global level, it was also certified gold by the PROMUSICAE of Spain. 40" which reached #10 on the Billboard Argentina Hot 100 list. On June 9, he collaborated with Argentine producer Bizarrap on the single " Eladio Carrión: Bzrp Music Sessions, Vol. It was also nominated for a Latin Grammy in the category of Mejor Álbum de Música Urbana, although it would not ultimately win. On January 8, 2021, he released his album Monarca, which includes collaborations with J Balvin, Yandel, Cazzu and Lunay, the album reached the top positions on the US Billboard charts as they were #11 on Top Latin Albums and #8 Latin Rhythm Albums. ![]() In that same year he was nominated for the Latin Grammy Awards in the category of Best Rap/Hip Hop Song for his joint collaboration with Bad Bunny on the single "Kemba Walker". On January 31, 2020, he released his debut album Sauce Boyz under the Rimas Entertainment label, which ranked #8 on the Billboard Top Latin Albums for 10 consecutive weeks, it was then followed by an EP Sauce Boyz Care Package. In that same year, after making several collaborations, he was nominated for the Premios Juventud in the category of Nueva generación urbana, this being his first nomination for a musical award. In 2019 he was again collaborating with artists such as Rauw Alejandro in "Dice Que No", Ñejo in "Periódico de Ayer", Noriel "Se Moja" and his most important collaboration was with the Spanish rapper Maikel Delacalle in "Si Tú Me Quisieras". In 2018 he collaborated on the singles "Dame una Hora" with Amenazzy, "Mi Cubana" which had a resounding success that led him to obtain a remix with Cazzu, Khea and Ecko, and "Sigue Bailándome" with Myke Towers, Darkiel, Brray and Yann C. In 2017 he officially debuted as a singer with the single "Me Enamoré de una Yal" with Ele A el Dominio and Ñengo Flow, under the Los de la Nazza record label, which reached the top positions on SoundCloud and Spotify. In 2016 he worked with Jon Z and the Argentine rapper Neo Pistea on the single "Súbelo" that became popular in nightclubs and again with Rawenz on "Si Te Vas, Vete".Ģ017–2019: "Mi Cubana" and collaborations Then he released his second musical work "No Quiero Más Amigos Nuevos" belonging to Rawenz, these works allowed him to become known in the music industry. In 2015 he released his first musical work "2x2" in collaboration with Flowsito. ![]() Shortly after 2012, he abandoned the sport and began his artistic career as an influencer through digital platforms such as Vine and Instagram, in which he uploaded comedic videos which helped him gain followers. In his youth he developed skills for sports such as swimming, coming to represent Puerto Rico at the 2010 Central American and Caribbean Games and at the 2011 Pan American Games in Guadalajara, the latter where he reached the preliminary phase of the 200-meter breaststroke, managing to reach eighth position. At age 11 he moved to live in Humacao, Puerto Rico. Throughout his childhood he lived in Hawaii, Baltimore, New York, and Alaska. Because his father was in the military, they constantly moved. Eladio Carrión Morales (born November 14, 1994) is an American rapper and singer of Latin trap and reggaeton.Įladio Carrión was born in Kansas City, Missouri, to a Puerto Rican family. ![]() |